Bibliography for Issues and Perspectives in Contemporary Performance - Q3262 (Aut) BETA

Adorno, T.W. and Horkheimer, M. (1997) Dialectic of enlightenment. London: Verso. Available at: https://contentstore.cla.co.uk/secure/link?id=04f0bcb8-eb78-e611-80c6-005056af4099.

Aneja, A. (1992) ‘The Medusa’s slip: Hélène Cixous and the underpinnings of ecriture feminine’, Lit: Literature Interpretation Theory, 4(1), pp. 17–27. Available at: https://doi.org/10.1080/10436929208580093.

Auslander, P. (1989) ‘Going with the Flow: Performance Art and Mass Culture’, TDR (1988-), 33(2). Available at: https://doi.org/10.2307/1145929.

Bakhtin, M.M. (1968) Rabelais and his world. Cambridge, Mass: MIT Press. Available at: https://contentstore.cla.co.uk/secure/link?id=e997a2a5-f07d-e711-80cb-005056af4099.

Battista, S. (2012) ‘A Posthuman Interpretation of Wolfgang Laib’s Work with Pollen as an Ecological Proposition’, Performance Research, 17(4), pp. 67–73. Available at: https://doi.org/10.1080/13528165.2012.712258.

Benjamin, W. and Underwood, J.A. (2008) The work of art in the age of mechanical reproduction. London: Penguin.

Bonneuil, C. and Fressoz, J.-B. (2016) The shock of the Anthropocene: the earth, history, and us. London: Verso. Available at: https://contentstore.cla.co.uk/secure/link?id=0b6b3612-619c-e711-80cb-005056af4099.

Bourdieu, P. (2010) Distinction: a social critique of the judgement of taste. [New edition]. London: Routledge.

Bourdieu, P. and Nice, R. (1977) Outline of a theory of practice. Cambridge: Cambridge University Press.

Case, S.-E. (1988) Feminism and theatre. Basingstoke: Macmillan.

Case, S.-E. and Split Britches (1996) Split Britches: lesbian practice-feminist performance. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=898907f1-679c-e711-80cb-005056af4099.

Clark, T. (2015) Ecocriticism on the edge: the anthropocene as a threshold concept. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=2056898.

Cohn, R. (1980) ‘Joan Holden and the San Francisco Mime Troupe’, The Drama Review: TDR, 24(2). Available at: https://doi.org/10.2307/1145280.

Collins, J. (1989) Uncommon cultures: popular culture and post-modernism. New York: Routledge.

Corrieri, A. (2016) In place of a show: what happens inside theatres when nothing is happening. London: Bloomsbury UK. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=4435492.

David Williams (2007) ‘Inappropriate/d Others or, The Difficulty of Being a Dog’, TDR (1988-), 51(1), pp. 92–118. Available at: http://www.jstor.org.ezproxy.sussex.ac.uk/stable/4492737?seq=1#page_scan_tab_contents.

Davidson, M. del G., Gines, K.T. and Marcano, D.-D.L. (eds) (2010) Convergences: Black feminism and Continental philosophy. Albany: SUNY Press. Available at: https://contentstore.cla.co.uk/secure/link?id=21414139-37af-e711-80cb-005056af4099.

Davy, K. (2010) Lady dicks and lesbian brothers: staging the unimaginable at the WOW Café Theatre. Ann Arbor, M.I.: University of Michigan Press. Available at: https://contentstore.cla.co.uk/secure/link?id=67c06c52-ff9d-e711-80cb-005056af4099.

Debord, G. (1983) Society of the spectacle. Detroit, Mich: Black & Red.

DeFrantz, T. and Gonzalez, A. (eds) (2014) Black performance theory. Durham: Duke University Press. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=1666607.

DeFrantz, T.F. (2017) ‘I Am Black’, Theater, 47(2), pp. 9–21. Available at: https://doi.org/10.1215/01610775-3785122.

DeFrantz, T.F. and Willis, T.A. (2016) ‘Black Moves: New Research in Black Dance Studies’, The Black Scholar, 46(1), pp. 1–3. Available at: https://doi.org/10.1080/00064246.2016.1119632.

Docker, J. (1994) Postmodernism and popular culture: a cultural history. Cambridge: Cambridge University Press.

van Dooren, T. (2016) ‘The Unwelcome Crows’, Angelaki, 21(2), pp. 193–212. Available at: https://doi.org/10.1080/0969725X.2016.1182737.

Eagleton, T. (1994) Ideology. London: Longman,.

English, D. (2007) How to see a work of art in total darkness. Cambridge, M.A.: MIT Press. Available at: http://catdir.loc.gov/catdir/toc/ecip0620/2006029839.html.

Enter the Anthropocene || Making the Geologic Now (no date). Available at: http://geologicnow.com/1_Kolbert.php.

Fanon, F. et al. (2008) Black skin, white masks. New edition. London: Pluto. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=247433.

Fanon, F. (2008) Black skin, white masks. London: Pluto.

Farber, J., Schumann, P., and Bread and Puppet Theater (1993) ‘Brother bread, sister puppet’. [U.S.]: Jeff Farber/Cheap Cinematography Production.

Fiske, J. (1989) Reading the popular. Boston, Mass: Unwin Hyman. Available at: https://contentstore.cla.co.uk/secure/link?id=12c9e0eb-ff99-e711-80cb-005056af4099.

Fiske, J. (1998) Understanding popular culture. London: Routledge.

Fiske, J. and ebrary, Inc (2010) Understanding popular culture. 2nd ed. London: Routledge. Available at: http://suss.eblib.com/patron/FullRecord.aspx?p=958078.

Foucault, M. (1995) Discipline and punish: the birth of the prison. 2nd Vintage Books ed. New York: Vintage Books. Available at: https://contentstore.cla.co.uk/secure/link?id=1c80f08d-689c-e711-80cb-005056af4099.

Georgelou, K., Protopapa, E. and Theodoridou, D. (eds) (2017) The practice of dramaturgy: working on actions in performance. Amsterdam: Valiz. Available at: http://www.augustocorrieri.com/eng/texts.html.

Giannachi, G. and Stewart, N. (eds) (2005) Performing nature: explorations in ecology and the arts. Oxford: Lang. Available at: https://contentstore.cla.co.uk/secure/link?id=e7d31f1c-ddac-e711-80cb-005056af4099.

Goldberg, R. and Goldberg, R. (2001) Performance art: from futurism to the present. Rev. & expanded ed. New York, N.Y.: Thames & Hudson.

Goldman, D. (2010a) I Want To Be Ready : Improvised Dance as a Practice of Freedom. Ann Arbor: University of Michigan Press. Available at: https://eu01.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=12385490850002461&institutionId=2461&customerId=2460.

Goldman, D. (2010b) I want to be ready: improvised dance as a practice of freedom. Ann Arbor, Mich: University of Michigan Press.

Grosz, E. (1994) Volatile bodies: toward a corporeal feminism. Bloomington: Indiana University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=d575ab81-c89a-e611-80c7-005056af4099.

Hall, S. and Whannel, P. (1964) The popular arts. [London]: Hutchinson Educational.

Haraway, D.J. (2013) Simians, cyborgs, and women: the reinvention of nature. Hoboken: Taylor and Francis. Available at: https://ebookcentral.proquest.com/lib/suss/detail.action?docID=1195818.

Harris, C.I. (1993) ‘Whiteness as Property’, Harvard Law Review, 106(8). Available at: https://doi.org/10.2307/1341787.

Hélène Cixous, Keith Cohen and Paula Cohen (1976) ‘The Laugh of the Medusa’, Signs, 1(4), pp. 875–893. Available at: http://www.jstor.org/stable/3173239?seq=1#page_scan_tab_contents.

hooks, bell (2014) Ain’t I a woman: black women and feminism. Second edition. Hoboken: Taylor and Francis. Available at: https://ebookcentral.proquest.com/lib/suss/detail.action?docID=1899877.

hooks, bell (2015) Black looks: race and representation. New York, New York: Routledge. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=1813137.

Hughes, H., Tropicana, C. and Dolan, J. (eds) (2015) Memories of the revolution: the first ten years of the WOW Café Theater. Ann Arbor, Michigan: University of Michigan Press. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=4312735.

Jones, A. (1998) Body art/performing the subject. Minneapolis, Minn: University of Minnesota Press.

Karen Barad (2011) ‘Nature’s Queer Performativity’, Qui Parle: Critical Humanities and Social Sciences, 19(2), pp. 121–158. Available at: https://muse-jhu-edu.ezproxy.sussex.ac.uk/article/430999.

Kelleher, J. (2009) Theatre & politics. Basingstoke: Palgrave Macmillan.

Kershaw, B. (1992) The politics of performance: radical theatre as cultural intervention. London: Routledge.

Kershaw, B. (1997) ‘Fighting in the Streets: Dramaturgies of Popular Protest, 1968—1989’, New Theatre Quarterly, 13(51). Available at: https://doi.org/10.1017/S0266464X0001126X.

Kershaw, B. (1999) The radical in performance: between Brecht and Baudrillard. London: Routledge.

King, J. (2004) ‘Which way is down? Improvisations on black mobility’, Women & Performance: a journal of feminist theory, 14(1), pp. 25–45. Available at: https://doi.org/10.1080/07407700408571439.

Kolbert, E. (2015) Sixth extinction: an unnatural history. Paperback edition. London: Bloomsbury. Available at: https://contentstore.cla.co.uk/secure/link?id=80db7e02-62a4-e711-80cb-005056af4099.

Kuppers, P. (2007) The scar of visibility: medical performances and contemporary art. Minneapolis: University of Minnesota Press. Available at: http://www.jstor.org/stable/10.5749/j.ctttt3vr.

L, W.Pope. (1997) ‘Notes on Crawling Piece. a. k. a. How Much Is That Nigger in the Window? (Summer 1991/Streets of New York City)’, Art Journal, 56(4). Available at: https://doi.org/10.2307/777726.

Lauren Barri-Holstein, A.W.-F. (no date) ‘Part-time Feminist: Lauren Barri Holstein in conversation with Anna Watkins Fisher’’, Moving Image Review & Art Journal, 4 (1-2), December 2015 [Preprint]. Available at: https://contentstore.cla.co.uk/secure/link?id=fe7d1b77-e29d-e711-80cb-005056af4099.

Lavery, C. (2016) ‘Introduction: performance and ecology – what can theatre do?’, Green Letters, 20(3), pp. 229–236. Available at: https://doi.org/10.1080/14688417.2016.1206695.

‘Le Quattro Volte Press Book.pdf’ (no date). Available at: http://coproductionoffice.eu/catalogue/downloads-films/37/LQV.pdf.

Lepecki, A. (2016) Singularities: dance in the age of performance. London, [England]: Routledge. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=4560521.

Lindsey, T.B. (2013) ‘Complicated crossroads: black feminisms, sex positivism, and popular culture’, African and Black Diaspora: An International Journal, 6(1), pp. 55–65. Available at: https://doi.org/10.1080/17528631.2012.739914.

Lizbeth Goodman (1996) ‘Who’s Looking at Who(m)?: Re-viewing Medusa’, Modern Drama, 39(1). Available at: https://doi.org/10.1353/mdr.1996.0087.

Martha Wilson and William Pope. L (1996) ‘William Pope. L’, BOMB, (55), pp. 50–55. Available at: http://www.jstor.org/stable/40425885?seq=1#page_scan_tab_contents.

Mason, S.V. (2005) The San Francisco Mime Troupe reader. Ann Arbor, Mich: University of Michigan Press. Available at: http://www.loc.gov/catdir/toc/ecip051/2004022451.html.

Mauss, M. (1973) ‘Techniques of the body’, Economy and Society, 2(1), pp. 70–88. Available at: https://doi.org/10.1080/03085147300000003.

McMillan, U. (2014) ‘Nicki-aesthetics: the camp performance of Nicki Minaj’, Women & Performance: a journal of feminist theory, 24(1), pp. 79–87. Available at: https://doi.org/10.1080/0740770X.2014.901600.

Nicki Minaj’s Feminism Isn’t About Your Comfort Zone: On "Anaconda” and Respectability Politics | Autostraddle (no date). Available at: https://www.autostraddle.com/nicki-minajs-feminism-isnt-about-your-comfort-zone-on-anaconda-and-respectability-politics-251866/.

Nicki Minaj’s Unapologetic Sexuality is Not a Crisis | Bitch Media (no date). Available at: https://www.bitchmedia.org/post/nicki-minajs-unapologetic-sexuality-anaconda-video-feminism.

Noland, C. (2009a) Agency and embodiment: performing gestures/producing culture. Cambridge, Mass: Harvard University Press. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=3300862.

Noland, C. (2009b) Agency and embodiment: performing gestures/producing culture. Cambridge, Mass: Harvard University Press.

O Reilly, S. (no date) Of Great Magnitudes and Multiplicities. Available at: http://katiepaterson.org/bibliography/.

‘Popular Forms for a Radical Theatre’ (2006) Contemporary Theatre Review, 16(3), pp. 273–274. Available at: https://doi.org/10.1080/10486800600818707.

Preciado, P.B. (2013) Testo junkie: sex, drugs, and biopolitics in the pharmacopornographic era. New York, N.Y.: The Feminist Press at the City University of New York.

Prentki, T. and Preston, S. (2009) The applied theatre reader. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=401db5cc-8679-e611-80c6-005056af4099.

Price, J. (2016a) Modern popular theatre. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://contentstore.cla.co.uk/secure/link?id=6cbae5f6-e19d-e711-80cb-005056af4099.

Price, J. (2016b) Modern popular theatre. Basingstoke, Hampshire: Palgrave Macmillan.

Price, J. (2016c) Modern popular theatre. Basingstoke, Hampshire: Palgrave Macmillan.

Ridout, N.P. (2006) Stage fright, animals, and other theatrical problems. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9780511617669.

Rose, D.B., Van Dooren, T. and Chrulew, M. (eds) (2017) Extinction studies: stories of time, death, and generations. New York, N.Y.: Columbia University Press.

Saidiya Hartman (2008) ‘Venus in Two Acts’, Small Axe, 12(2), pp. 1–14. Available at: https://muse.jhu.edu/article/241115.

Salamon, G. (2010) Assuming a body: transgender and rhetorics of materiality. New York: Columbia University Press.

Sandahl, C. and Auslander, P. (eds) (2005a) Bodies in commotion: disability and performance. Ann Arbor: University of Michigan Press. Available at: http://www.jstor.org/stable/10.3998/mpub.92455.

Sandahl, C. and Auslander, P. (eds) (2005b) Bodies in commotion: disability and performance. Ann Arbor: University of Michigan Press. Available at: http://catdir.loc.gov/catdir/toc/ecip051/2004022452.html.

Schechter, J. (2003) Popular theatre: a sourcebook. London: Routledge.

Sharpe, C.E. (2016a) In the wake: on blackness and being. Durham, [North Carolina]: Duke University Press. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=4717126.

Sharpe, C.E. (2016b) In the wake: on Blackness and being. Durham, N.C.: Duke University Press.

Shilling, C. (2012) The body and social theory. Third edition. Los Angeles, [Calif.]: SAGE.

Solga, K. (2016) Theatre &  feminism. London: Palgrave Macmillan. Available at: https://contentstore.cla.co.uk/secure/link?id=3dbe2bab-16b3-e711-80cb-005056af4099.

Sontag, S. (2009) Against interpretation: and other essays. London: Penguin. Available at: https://contentstore.cla.co.uk/secure/link?id=f5a70748-9879-e611-80c6-005056af4099.

Storey, J. (2003a) Inventing popular culture: from folklore to globalization. Malden, MA: Blackwell Pub. Available at: https://ebookcentral.proquest.com/lib/suss/detail.action?docID=284070.

Storey, J. (2003b) Inventing popular culture: from folklore to globalization. Malden, Mass: Blackwell Pub.

Storey, J. (2003c) Inventing popular culture: from folklore to globalization. Malden, MA: Blackwell Pub. Available at: https://ebookcentral.proquest.com/lib/suss/detail.action?docID=284070.

Storey, J. (2003d) Inventing popular culture: from folklore to globalization. Malden, Mass: Blackwell Pub.

Storey, J. (2009) Cultural theory and popular culture: a reader. 4th edition. Harlow: Pearson Longman. Available at: https://contentstore.cla.co.uk/secure/link?id=247dfc2d-8679-e611-80c6-005056af4099.

Storey, J. (2012) Cultural theory and popular culture: an introduction. Sixth edition. Harlow: Pearson. Available at: https://contentstore.cla.co.uk/secure/link?id=5014afb6-5c89-e611-80c6-005056af4099.

Susan Leigh Foster (2003) ‘Choreographies of Protest’, Theatre Journal, 55(3), pp. 395–412. Available at: https://sussex.idm.oclc.org/login?url=https://www.jstor.org/stable/25069277.

The Anthropocene: Promise and Pitfalls of an Epochal Idea (no date). Available at: http://edgeeffects.net/anthropocene-promise-and-pitfalls/.

The Great Acceleration and the Great Divergence: Vulnerability in the Anthropocene (no date). Available at: https://profession.mla.hcommons.org/2014/03/19/the-great-acceleration-and-the-great-divergence-vulnerability-in-the-anthropocene/.

Turner, B.S. and Nottingham Trent University. TCS Centre (2008) The body and society: explorations in social theory. 3rd ed. Los Angeles, [Calif.]: SAGE. Available at: http://sk.sagepub.com/books/the-body-and-society-3e.

Williams, D. (2004) ‘The Thing with Feathers’, Performance Research, 9(4), pp. 59–65. Available at: https://doi.org/10.1080/13528165.2004.10872054.

Wolfe, C. (ed.) (2003) Zoontologies: the question of the animal. Minneapolis, Minn: University of Minnesota Press. Available at: https://contentstore.cla.co.uk/secure/link?id=02d173e0-1ca8-e711-80cb-005056af4099.