Ajmar, M. and Dennis, F. (2006a) At home in Renaissance Italy. London: V&A. Available at: https://contentstore.cla.co.uk/secure/link?id=9463265d-9b4d-e611-80c6-005056af4099.
Ajmar, M. and Dennis, F. (2006b) At home in Renaissance Italy. London: V&A.
Andrews, M. (1999) Landscape and Western art. Oxford: O.U.P. Available at: https://contentstore.cla.co.uk/secure/link?id=14757d60-aca2-e611-80c7-005056af4099.
Appleby, J.O., Hunt, L.A. and Jacob, M.C. (1994) Telling the truth about history. New York: Norton.
Arnold, D. and Peters Corbett, D. (2013a) A companion to British art: 1600 to the present. Hoboken: Wiley. Available at: https://ebookcentral.proquest.com/lib/suss/detail.action?docID=1132560.
Arnold, D. and Peters Corbett, D. (eds) (2013b) A companion to British art: 1600 to the present. Chichester, West Sussex, UK: Wiley-Blackwell.
Assessment Criteria in Art History (no date). Available at: https://www.sussex.ac.uk/webteam/gateway/file.php?name=assessment-criteria-ba-all.pdf&site=17.
Barrett, K. (2012) ‘“An Argument in Paint”: Reynolds and Garrick between Tragedy and Comedy’, Visual Culture in Britain, 13(3), pp. 283–302. Available at: https://doi.org/10.1080/14714787.2012.716989.
Baxandall, M. (1988a) Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style. 2nd ed. O.U.P. Available at: https://contentstore.cla.co.uk/secure/link?id=6b24facc-f47f-e611-80c6-005056af4099.
Baxandall, M. (1988b) Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style. 2nd ed. O.U.P.
Beard, M. and Henderson, J. (2000) Classics: a very short introduction. ‘Reissued’ [with updated bibliography]. Oxford: Oxford University Press.
Beard, M. and Henderson, J. (2001a) Classical art: from Greece to Rome. Oxford: Oxford University Press.
Beard, M. and Henderson, J. (2001b) Classical art: from Greece to Rome. Oxford: Oxford University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=62637a3e-9b4d-e611-80c6-005056af4099.
Bindman, D. (2008) The history of British art: 1600-1870. London: Tate. Available at: https://contentstore.cla.co.uk/secure/link?id=94f19641-d0a1-e611-80c7-005056af4099.
Bohn, B. (2004) ‘Female self-portraiture in early modern Bologna’, Renaissance Studies, 18(2), pp. 239–286. Available at: https://doi.org/10.1111/j.0269-1213.2004.00057.x.
Brewer, J. (2013) The pleasures of the imagination: English culture in the eighteenth century. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=de20770a-eda0-e611-80c7-005056af4099.
Brown, P.F. (2004) Private lives in Renaissance Venice: art, architecture, and the family. 1st ed. New Haven: Yale University Press.
Browne, Lord (2010) ‘Securing a sustainable future for higher education: an independent review of higher education funding and student finance [Browne report].’ Department for Business, Innovation & Skills. Available at: https://www.gov.uk/government/publications/the-browne-report-higher-education-funding-and-student-finance.
Bruce, R. and Jacobs, N. (11AD) ‘Ten search engines for researchers that go beyond Google’, Jisc [Preprint]. Available at: https://www.jisc.ac.uk/blog/ten-search-engines-for-researchers-that-go-beyond-google-11-jul-2013.
Campbell, E.J., Miller, S.R. and Consavari, E.C. (2013a) The early modern Italian domestic interior, 1400-1700: objects, spaces, domesticities. Farnham: Ashgate. Available at: http://ebookcentral.proquest.com/lib/suss/detail.action?docID=1566113.
Campbell, E.J., Miller, S.R. and Consavari, E.C. (eds) (2013b) The early modern Italian domestic interior, 1400-1700: objects, spaces, domesticities. Farnham, Surrey: Ashgate.
Campbell, S.J. (2011) Italian Renaissance art. London: Thames & Hudson.
Cohen, D. (2010) ‘Is Google Good for History?’, http://www.dancohen.org/ [Preprint]. Available at: http://www.dancohen.org/2010/01/07/is-google-good-for-history/.
Coonin, A.V. (1995) ‘Portrait Busts of Children in Quattrocento Florence’, Metropolitan Museum Journal, 30, pp. 61–71. Available at: https://doi.org/10.2307/1512950.
Cormack, R. (1981) ‘Interpreting the mosaics of S.Sophia at Istanbul’, Art History, 4(2), pp. 131–149. Available at: https://doi.org/10.1111/j.1467-8365.1981.tb00707.x.
Cormack, R. (1985a) Writing in gold: Byzantine society and its icons. London: G. Philip.
Cormack, R. (1985b) Writing in gold: Byzantine society and its icons. London: G. Philip. Available at: https://contentstore.cla.co.uk/secure/link?id=63637a3e-9b4d-e611-80c6-005056af4099.
Cormack, R. (2000) Byzantine art. Oxford: Oxford University Press.
Cormack, R. and British Museum (2007) Icons. London: British Museum.
Cottrell, S. (2011) Critical thinking skills: developing effective analysis and argument. Second edition. Basingstoke: Palgrave Macmillan. Available at: https://contentstore.cla.co.uk/secure/link?id=f53b7746-9b4d-e611-80c6-005056af4099.
Craske, M. (1997) Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth. Oxford: Oxford University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=e8664cbe-b2a1-e611-80c7-005056af4099.
Davies, G., Kennedy, K., and Victoria and Albert Museum (2009) Medieval and Renaissance art: people and possessions. London: V&A.
Department of Art History - Essay Style and Referencing Guide (no date). Available at: https://www.sussex.ac.uk/webteam/gateway/file.php?name=art-history-essay-style-and-referencing-guide-2015.pdf&site=17.
Evangelisti, S. (2013) ‘Learning from Home: Discourses on Education and Domestic Visual Culture in Early Modern Italy’, History, 98(333), pp. 663–679. Available at: https://doi.org/10.1111/1468-229X.12030.
Evans, R.J. (2000) In defence of history. [New ed.]. London: Granta.
Fernie, E.C. (1995) Art history and its methods: a critical anthology. London: Phaidon. Available at: https://contentstore.cla.co.uk/secure/link?id=3cf889e7-427e-e611-80c6-005056af4099.
Graham, M.M. (1995) ‘The Future of Art History and the Undoing of the Survey’, Art Journal, 54(3), pp. 30–34. Available at: https://doi.org/10.1080/00043249.1995.10791704.
Halavais, A.M.C. (2013) Search engine society. Hoboken: Wiley. Available at: http://suss.eblib.com/patron/FullRecord.aspx?p=1295001.
Jacobs, F.H. (1997) Defining the Renaissance virtuosa: women artists and the language of art history and criticism. C.U.P.
Johnson, G.A. (2013) ‘“(Un)richtige Aufnahme”: Renaissance Sculpture and the Visual Historiography’, Art History, 36(1), pp. 12–51. Available at: https://doi.org/10.1111/j.1467-8365.2012.00917.x.
Johnson, G.A., Matthews Grieco, S.F. and Jacqueline Marie Musacchio (1997) ‘Picturing women in Renaissance and Baroque Italy’, in. C.U.P., pp. 42–60. Available at: https://contentstore.cla.co.uk/secure/link?id=cc9ef54d-9b4d-e611-80c6-005056af4099.
Kalas, R. (2002) ‘The Technology of Reflection: Renaissance Mirrors of Steel and Glass’, Journal of Medieval and Early Modern Studies, 32(3), pp. 519–542. Available at: https://doi.org/10.1215/10829636-32-3-519.
Key Resources and Further Research for Art History: University of Sussex Library (no date). University of Sussex Library. Available at: http://guides.lib.sussex.ac.uk/arthistory.
Ludmilla Jordanova (2008) ‘Review: Image Matters’, The Historical Journal, 51(3), pp. 777–791. Available at: http://www.jstor.org/stable/20175195?seq=1#page_scan_tab_contents.
Mathews, T.F. (1998) The art of Byzantium: between antiquity and the Renaissance. London: Weidenfeld & Nicolson. Available at: https://contentstore.cla.co.uk/secure/link?id=64637a3e-9b4d-e611-80c6-005056af4099.
Melchior-Bonnet, S. (2002) The mirror: a history. New York, N.Y.: Routledge.
Morse, M.A. (2007) ‘Creating sacred space: the religious visual culture of the Renaissance Venetian casa’, Renaissance Studies, 21(2), pp. 151–184. Available at: https://doi.org/10.1111/j.1477-4658.2007.00357.x.
Musacchio, J.M. (1998) ‘The Medici-Tornabuoni Desco da Parto in Context’, Metropolitan Museum Journal, 33, pp. 137–151. Available at: https://sussex.idm.oclc.org/login?url=https://www.jstor.org/stable/1513010.
Musacchio, J.M. (1999) The art and ritual of childbirth in Renaissance Italy. New Haven, Conn: Yale University Press.
Musacchio, J.M. (2008) Art, marriage, and family in the Florentine Renaissance palace. New Haven, Conn: Yale University Press.
Neher, G. and Shepherd, R. (2000) Revaluing Renaissance art. Aldershot: Ashgate. Available at: https://contentstore.cla.co.uk/secure/link?id=2c116955-9b4d-e611-80c6-005056af4099.
Nickel, H. (1991) ‘Arms & Armors: From the Permanent Collection’, The Metropolitan Museum of Art Bulletin, 49(1). Available at: https://doi.org/10.2307/3269006.
Nuttall, P. (2004) From Flanders to Florence: the impact of Netherlandish painting, 1400-1500. New Haven, [Conn.]: Yale University Press.
Nuttall, P. and Henry E. Huntington Library and Art Gallery (2013) Face to face: Flanders, Florence, and Renaissance painting. San Marino, California: The Huntington Library, Art Collections, and Botanical Gardens.
Osborne, R. (1998a) Archaic and classical Greek art. Oxford: Oxford University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=74cf276c-f8a4-e711-80cb-005056af4099.
Osborne, R. (1998b) Archaic and classical Greek art. Oxford: Oxford University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=3f5776be-77d5-ea11-80cd-005056af4099.
Osborne, R. (1998c) Archaic and classical Greek art. Oxford: Oxford University Press. Available at: http://www.loc.gov/catdir/enhancements/fy0605/99177295-t.html.
Panizza, L. and University of Oxford. European Humanities Research Centre (2000) Women in Italian Renaissance culture and society. Oxford: European Humanities Research Centre.
Pariser, E. (2012) The filter bubble: what the Internet is hiding from you. London: Penguin.
Pointon, M.R. (2014a) History of Art: A Student’s Handbook. 5th edition. Routledge. Available at: https://ebookcentral.proquest.com/lib/suss/detail.action?docID=1656769#.
Pointon, M.R. (2014b) History of art: a students’ handbook. Fifth edition. London: Routledge, Taylor & Francis Group.
Pointon, M.R. and Peltz, L. (1997) History of art: a students’ handbook. 4th ed. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=6d72d033-858c-e611-80c7-005056af4099.
Postle, M. et al. (2005) Joshua Reynolds: the creation of celebrity. London: Tate. Available at: https://contentstore.cla.co.uk/secure/link?id=9b12d170-e9a0-e611-80c7-005056af4099.
Rasmussen, T. and Spivey, N.J. (1991) Looking at Greek vases. C.U.P. Available at: https://contentstore.cla.co.uk/secure/link?id=f63b7746-9b4d-e611-80c6-005056af4099.
Reading and research : Skills Hub: University of Sussex (no date). Available at: http://www.sussex.ac.uk/skillshub/?id=249.
Rubin, P.L. (2007a) Images and identity in fifteenth-century Florence. New Haven, Conn: Yale University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=f73b7746-9b4d-e611-80c6-005056af4099.
Rubin, P.L. (2007b) Images and identity in fifteenth-century Florence. New Haven, Conn: Yale University Press. Available at: http://www.loc.gov/catdir/toc/ecip076/2006100423.html.
Safran, L. (1998a) Heaven on earth: art and the Church in Byzantium. University Park: Pennsylvania State U.P.
Safran, L. (1998b) Heaven on earth: art and the Church in Byzantium. University Park: Pennsylvania State U.P. Available at: https://contentstore.cla.co.uk/secure/link?id=65637a3e-9b4d-e611-80c6-005056af4099.
Schmidt, B. (2AD) What historians don’t know about database design, Sapping Attention. Available at: http://sappingattention.blogspot.co.uk/2011/03/what-historians-dont-know-about.html.
Schwartz, T. (1978) ‘Catarina Vigri and Properzia de Rossi’, Women’s Studies, 6(1), pp. 13–21. Available at: https://doi.org/10.1080/00497878.1978.9978461.
Shephard, T. (2013) ‘A Mirror for Princes: The Ferrarese Mirror Frame in the V&A and the Instruction of Heirs’, Journal of Design History, 26(1), pp. 104–114. Available at: https://doi.org/10.1093/jdh/eps049.
Smith, B. (1950) ‘European Vision and the South Pacific’, Journal of the Warburg and Courtauld Institutes, 13(1/2). Available at: https://doi.org/10.2307/750143.
Spivey, N.J. (1996) Understanding Greek sculpture: ancient meanings, modern readings. London: Thames and Hudson. Available at: https://contentstore.cla.co.uk/secure/link?id=85b1b836-9b4d-e611-80c6-005056af4099.
Syson, L. (2007) Renaissance Siena: art for a city. London: National Gallery. Available at: https://contentstore.cla.co.uk/secure/link?id=5d84d94b-a88b-e611-80c7-005056af4099.
Syson, L., Thornton, D., and British Museum (2001) Objects of virtue: art in Renaissance Italy. London: British Museum.
Thornton, D. (1997) The scholar in his study: ownership and experience in Renaissance Italy. New Haven, Conn: Yale University Press.
Thornton, D. (2001) ‘The status and display of small bronzes in the Italian Renaissance Interior’, The Sculpture Journal, V, pp. 33–41.
Time Management : Skills Hub: University of Sussex (no date). Available at: http://www.sussex.ac.uk/skillshub/?id=291.
Tinagli, P. (1997) Women in Italian Renaissance art: gender, representation, identity. Manchester U.P.
Tosh, J. (2010) The pursuit of history: aims, methods, and new directions in the study of modern history. 5th ed. Harlow: Longman. Available at: http://eu01.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=10390298260002461&institutionId=2461&customerId=2460.
Tosh, J. (2013) The pursuit of history: aims, methods, and new directions in the study of modern history. Fifth edition. Hoboken: Taylor and Francis. Available at: http://suss.eblib.com/patron/FullRecord.aspx?p=1356289.
Villers, C. (1995) ‘Paintings on Canvas in Fourteenth Century Italy’, Zeitschrift für Kunstgeschichte, 58(3). Available at: https://doi.org/10.2307/1482818.
Warner, M. (19AD) ‘Learning my lesson’, London Review of Books, 37(3), pp. 8–14. Available at: http://www.lrb.co.uk/v37/n06/marina-warner/learning-my-lesson.
Welch, E.S. (2000) Art in renaissance Italy, 1350-1500. Oxford: Oxford University Press.
Wisker, G. (2009a) The undergraduate research handbook. New York: Palgrave Macmillan. Available at: http://www.loc.gov/catdir/enhancements/fy1604/2009045187-t.html.
Wisker, G. (2009b) The undergraduate research handbook. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan. Available at: http://www.loc.gov/catdir/enhancements/fy1604/2009045187-t.html.
Wolfthal, D. (1989a) The beginnings of Netherlandish canvas painting, 1400-1530. C.U.P. Available at: https://contentstore.cla.co.uk/secure/link?id=d7b2e025-f0bf-e711-80cb-005056af4099.
Wolfthal, D. (1989b) The beginnings of Netherlandish canvas painting, 1400-1530. Cambridge, CB: Cambridge University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=26f9c00a-a8c3-e711-80cb-005056af4099.